google.com, pub-1996401214588839, DIRECT, f08c47fec0942fa0 Asian Drama Queen: Nakamura Toru

The Queen of Asian Drama is Back with more Irreverent Reviews and Snarky Commentary.

Showing posts with label Nakamura Toru. Show all posts
Showing posts with label Nakamura Toru. Show all posts

Friday, January 22, 2016

Time Taxi




Romaji: Suteki na Sen TAXI
Genre: Human, Slice of Life
Episodes: 10
Viewership ratings: 9.4%
Broadcast network: Fuji TV / KTV
Broadcast period: 2014, Oct to Dec


 

Cast


Takenouchi Yutaka as Eda Wakare, taxi driver, Cafe Choice = Bakarythm as Sakoda Hiroshi, Minamisawa Nao as Usami Natsuki, Seino Nana as Seki Kanna, and Masu Takeshi as Shirushi MichioSynopsis

Synopsis


Edawakare (Takenouchi) is the driver of Sentaxi, a marvelous vehicle which is able to take a passenger back to his or her "life's turning point".  His cool appearance is at odds with his talkative, meddlesome, sweet-toothed character. He gives advice to passengers who are flustered after failing in their life's choice. (Jdrama Weblog)

My Take


Thoroughly enjoyed this!

Of course, it helped that our sexy Take-san was the lead, and with a bonus episode that included Toru Nakamura, well, what can I say?




A two-fer if ever there was one.

We don't find out the whys behind this gem of a tale until the last episode, so I can't spare much in the way of details without there being spoilers.




Let's just say this was another genius bit of silly that employs the idea of a taxi that is capable of turning back time for whoever is lucky (or not) enough to hop in the back seat and ask to be taken somewhere.
Edawakare's cool stems not from his appearance (obviously) but in his calm nature.


Nothing appears to rattle this dude; not even when a passenger is belligerent or on the lam.

Not even as the driver of a taxi capable of time travel, nor from the amount of sweets this guy consumes.

Each episode offers us a new passenger with a new set of problems, but I think the twist came in not all of these situations being predictable, similar, or happy-ending.


Heck, one of them actually made me cry.

Not being used to, ever being able to understand, or even liking Japanese humor, I did not get the point of there being sporadic instances of a silly crime drama being shown at certain times and in every episode.


Which is why I gave it 4 out of 5, and for no other reason.


This was a drama that made me wish it was Korean 20 and not typical Japanese 10.


I wanted it to go on and on . . .


However!


And, I could be wrong, but, I think it may have hinted at a sequel somewhere down the road,





. . . so let's hope that 9.4% rating is a high number, eh?



Sunday, November 21, 2010

Karei-naru Ichizoku / 華麗なる一族

The Grand Family


2007, 10-episode melodrama that stars Kimura Takuya AND Nakamura Toru and is loosely based on a novel about the real-life story of Manpyo Daisuke; a banker at the time of Japan's reorganization period in the late 1960s.

The drama, however, delves into the life of Daisuke's son, Teppei - played by Kimura-san.

Remember when I said I was getting bored with the sameness of the characters Kimura-kun tended to portray onscreen?

Forget it.

THIS was what I was searching for, and I haven't had this much fun watching a JDorama in a good, long time, either.

What a magnificently portrayed rendition of an amazing family struggle!

Corruption, greed, thoughtlessness, and power all converge on this household and tear it apart slowly but surely, until all that is left to do but to weep - and, weep I did.

Teppei is the first-born son of Daisuke and his high-born wife, whose family ran into trouble early in their marriage; thus relegating her to 'nothing' by societies over-bearing standards.

Daisuke takes a mistress, whom he invites into the Manpyo household and beds right under his wife and the kid's noses.

He also has a second son and two daughters - the eldest daughter being married to the head of finance ministry in Parliament (Mima Ataru is Nakamura Toru) and Teppei being married to the daughter of another Parliamentary figure.

It is the mistress who arranged the marriages with the intention of helping to secure power in the Manpyo household.

Teppei was in love with another woman, but once married, became a devoted and loving husband to his pretty wife and a great father to his adorable, little boy.

Grandfather Manpyo had instilled in young Teppei the benefits and value of becoming a steel man, so when he grew up, Teppei studied metalurgy in college and ended up running a steel mill once owned by his grandfather, who also started a small bank that Daisuke quickly inherited and made it larger and more powerful in the circle of financial things in Japan after the war.

The steel mill is doing well, and Teppei's special metals are garnering interest from companies in the United States while the banking business is taking a hard hit from the government, who are in the planning stages of merging all but the four, most powerful banks in the entire country under the guise of it being more of a help to Japan's economy in the global arena.

Naturally, I don't get it and didn't, really care, but it was a major catalyst in this story, so watch it yourself to better understand that aspect since I am hopelessly inept at explaining such matters with any amount of clarity.

Daisuke doesn't like Teppei, and Teppei is well-aware of the animosity his father has toward him, and this situation comes to a head in the drama, where the father works behind the son's back to take him down with deliberate and hateful calm, destroying Teppei's livelihood as much as his life.

The struggles our poor, innocent Teppei went through on account of his father tore at my heart and made me shed tears while also hating his father even knowing that the poor, old man had as legitimate a reason to behave as he did as anyone else would under the strangely disgusting yet unproved circumstances that led to his despising his first-born to begin with.

Daisuke is determined to jump from position 11 to position 3 in the banking realm with the aid of his dastardly but handsome son-in-law Mima-san, who sees and knows what is going on inside the Manpyo household yet doesn't, seem to care, even as his Manpyo wife grows more and more suspicious and angry with what she sees and hears between husband and father.

In the end, Daisuke gets everything that he set out to devour, including the 3rd place position of his bank and the destruction of Teppei's steel mill - but, as things go, fate had a strange and more perverse way of intervening at the eleventh hour - and it is Mima-san who triumphs, of all people.

The story took place in the late half of the 1960s, and it was funny to note the laptops, printers, and cell phones - but, only in the first episode, and then the continuity people probably got reemed big-time for their lack of ... well, continuity, I guess, and for the rest of the show, it resembled Japan in 1968-69.

(pay attention to the scene where Daisuke peers through a window above the ground-floor action of his bank - it's funny stuff)

LOVED the streetcars!

Teppei Manpyo also had built on his father's property the coolest, most welcoming Frank Lloyd Wright home ever, too - absolutely thrilled to bits about the way the house was decorated from within.

The Grand Family was SO worth the time, and I highly recommend you watch this if you haven't already.

WAY thumbs up on this one, and not just because of Taku-san, either (or Nakamura-san for that matter).

Friday, December 18, 2009

Tokyo Wankei / 東京湾景 / Destiny of Love





A July to September, 2004, Japanese drama that stars Nakamura Toru, Wada Soko, and Nakama Yukie.

Before I say anything else, I have to confess here and now that, just like most guys, (and I'm a girl), I so hate sappy, saccharine sweet hog-wash love stories to death.

Tokyo Wankei
was that and more -so why the five flowers?

There are several reasons, but most of all, because I wish I had thought to write a story of this caliber and nature.

It was a fascinating plot with excellent acting performed by several of my favorite, Asian actors.

Even the theme song, Kimi sae ireba, by Weather Forecast, was a pretty tune I don't mind hearing over and over in my head.

It's the story of a young Korean woman living in Japan - Zainichi Korean - who runs into a young Japanese man while wearing a lovely Hanbok that helps to captivate him even more than her natural beauty does.

They fall in love, but her father doesn't approve and thus begins their ill-fated romance.

She runs away from home, to a place in the country where a river flows beneath a bridge, and she waits for him there.

Alas, he's struck down by falling timbers in an attempt to save a little boy from the same, painful fate.

She's devastated and blames herself, thinking that if she had not asked him to meet her that day, that he would still be alive.

Present-day and we have her daughter, Kimoto Mika / Kim Yuri, who is just as beautiful as the now-departed mother, and who works at a publishers office and personally struggles with the same self-doubt as her mother once had about being a Zainichi third-generation.


she reminds me of Shu Qi in a way - so beautiful

She's late to a Christmas party after having to attend her cousins engagement party, so she hurries along in a magnificent, pink Hanbok and guess what she does?

That's right - she runs smack into the arms of her destiny, just like her mama had done 30 years earlier.

Or, was it 20 ?

Maybe it has something to do with the continuity thing again, I don't know, but several of the dramas or movies I've watched tend to distort time without a care.

It said 1980, and then 2004 - or, was it 2006?

I'm not sure anymore, because I got all confused and then I said fack it, I don't even care anymore what's going on with the time and age discrepancies and such important things as that.

I know it said 1980, and yet her passport said she was born in 1979, so that's when I decided to let go of the time line thingy and concentrate, instead, on the story.

(maybe it's the Asian theory that you are born at conception, not live birth? she was conceived in '79 and born in '80? - argh)

See, the other thing that baffles me about these shows and their lack of continuity is that they make the adults look 20 or even 30 years older than they should, while the present-day hero or heroine appear remarkable well preserved, and that makes no sense to someone like me.

If she was born in '79 and the present-day is '04, wouldn't that make her, like, 25 years old, yea?
So, why is her father - HIS father especially, - made to look like they have one foot in the grave?

Do the men over there wait until they're 50 to get married to a woman in her 20's, is that it?
20 years is hardly enough time to make a robust, young man turn into a withered, shuffling old grandpa, am I right?

Maybe life over there is that, much harder or something?

I am under the misguided assumption that the food, air quality, and even the water are said to have preservative qualities we Americans still strive for?

Baffled - and I digress -

Mika-san is a show-stopping beauty who haphazardly lets her little sister sign her up for some online dating service, and when the questionnaire arrives on her cell phone, she blows off a majority of the questions with 'don't care' responses until she comes to one question in particular

- "What are you looking for?"

(or something like that, since the translator failed to tell us what a majority of the written things in the drama said - I had to take a wild guess using my sorely lacking Kanji skills).

Anyway, she says she likes Tokyo Wankei (the sight) and asks the question,
"Can you find the real me?"

(Isn't that a Who song?)

Anyway, you won't believe who her only, qualified match turns out to be.

Again, I digress, and I hate to give away too much of the plot for those of you who have yet to watch - so, let me jump around like the drama did, ok?

Toru Nakamura (Kamiya Fumi) is a big-shot at the NEXUS or PEN publishing company where Mika works, and he finds this diary written by her omanee or okaasan, and he says his mother had it for years, he just found it, read it, and wants Mika to write a romance novel around the contents.

He's so hot.


Mika turns down the offer, so she hands the assignment over to her co-worker, Hayase Yoshio (Sato Ryuta), who I think has a crush on Mika, but there was a time in the show when he talked about his girlfriend, and then he ended up with Mari, so again, I'm not, really sure about that part of the story.

Did I say I wished I had written this thing?
Maybe I still can, only better and with more CONTINUITY, eh?
Just kidding - on with the synopsis of sorts -

Meanwhile, Mika gets in touch with her only match through the online dating service, and she invites him to meet her at the airport terminal (because it's open and filled with people).
She wearing a really neat orange jacket (she wore white a majority of the time), and she leans against a pole, closes her eyes, and counts down from 10 to the strike of 4 o'clock, when the dude is supposed to arrive - finding her sight unseen as she had insisted.

At precisely 4 o'clock, she opens her eyes, purses her lips and begins to leave when a banner unfurls that says, "I've found you."
Gasping in shock, she looks up toward the third level and sees no one, and then a second banner unfurls, stating that if she doesn't hurry up, he'll reveal her email address.
Seeing the third, unfurled banner, Mika freaks out and runs up the escalators, anxious to stop the mad-man from going through with his threat.

When she gets there, she meets Wada Ryosuke-san (Wada Soko), and as he says he's done it, that he's found her, the third banner unfurls, causing Mika to panic and nearly fling herself over the glass railing - but then she notices that the banner has nothing written on it.





Ryosuke is a 'blue-collar' guy who drives a hi-lo by day and teaches calligraphy as a hobby.
It just, so happens that Mika's boss has asked her to find stories about the 'forgotten' Japan, people like Ryosuke-san who have real hobbies and do old-fashioned things like knit, spin yarn, and write calligraphy.

What a freakin' coincidence, eh?

Honestly, I can't say any more about this drama because I really don't want to spoil it for anyone, and I know I sound smart-ass, but it's entirely unintentional, I assure you.

Tokyo Wankei was a wonderful drama, and I highly recommend it to those of you who haven't watched it yet.

Mika's childhood friend and fellow Zainichi, Inoue Koichi/Park Hong-il (Nakamura Shunsuke)

I honestly thought this guy was a Korean for real and was stunned to discover he's actually Japanese.
That would likely explain his perfect speech and amazingly accurate dialect, eh?
Isn't he pretty?