google.com, pub-1996401214588839, DIRECT, f08c47fec0942fa0 Asian Drama Queen: 速水もこみち

The Queen of Asian Drama is Back with more Irreverent Reviews and Snarky Commentary.

Showing posts with label 速水もこみち. Show all posts
Showing posts with label 速水もこみち. Show all posts

Wednesday, April 28, 2010

Densha Otoko / でんしゃおとこ / The Train Man





2005 Fuji TV drama that starred Itoh Misaki, Itoh Atsushi, Shiraishi Miho, Sato Eriko, Oguri Shun, and Hayami Mokomichi, to name a few.

Apparently, there is another version of the same story as well:



But, I don't know about that.

The version I saw is based on an anime about a red-headed chick with carrots up her ass.
Or, our Otaku-san, Yamada Tsuyoshi (Itoh Atsushi), is in love with the anime chick with carrots coming out of her ass - I really don't know, and it's totally beside the point of this drama.

Tsuyoshi is a nerd living in a fantasy world of anime, video games, and everything geek when he ends up sitting across from a beautiful, young woman on a subway train and she ends up getting harassed by an old, drunk man.

Tsuyoshi, being a nerd, has no strength of body but a modicum of strength in character to want to come to fair damsel's rescue - so in stereotypical, timid fashion, he stands up and meekly asks the drunk man to leave yon maiden alone.

Now, before I get to the punch line here, it needs to be noted that the credits listed this one as 'a fake story based on actual events' - and if you know me by now, then you'll know I have to say that this doesn't make a damn bit of sense.

Tsuyoshi goes back home to his father's modest apartment and goes online to the Aladdin Bulletin Board in search of help to overcome his nervousness about what he did on the train.

Aladdin is a place for single men who want to talk about their singleness (I guess).

Of course, I'm being totally facetious here, but then so was this drama.

Perhaps the bulletin board existed or still exists in Japan, I don't know.

Perhaps some nerdy dude experienced an incident on a subway train that had a major impact on his hum-drum life, I can't be too sure.

Why didn't the synopsis just say that, though?

Bifurcation and confusion aside, this was a mighty entertaining piece of work!

Tsuyoshi annoyed a lot of people who watched this at aznv.tv, and I, for one, would agree that Itoh overstepped his boundaries by turning Tsuyoshi into a sniveling, blubbering, overly anxious geek afraid of his own shadow and unable to s-s-speak a complete s-s-sentence without tripping over his own tongue.

I mean, I can see the guy s-s-stuttering on occasion from fear or anxiety, but not all the damn time, and what was the point of blubbering every time he tried to apologize to Tess Trueheart or tell her how he really felt?

Heck, at least now I know more about the separation class in Japan and that the distinctly divided sects each has their own 'district' for crying out loud.

How cool is that?

Geeks hang out in this part of town, the trouble-makers hang out here, and this is where you go if you want to be seen with the totally rad cool people.

!! HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA !!

I love it!

It's also totally cool that I can now get away with saying such things as "Baka!" and "Otaku!" to people and they'll have no idea what I mean.

So anyway, our nerdish gallant ends up becoming the hero of this bulletin board (created by none other than Oguri 'Shunkerbelle' Shun - not at all nerdy for a number of obvious reasons).

Everyone who chats at Aladdin is rooting for Tsuyoshi to succeed in winning the heart of the pretty lady aboard the subway train, and they band together to help him every step of the way.

Bulletin Boards were once the norm over here, and watching Densha Otoko made me sad to think that it doesn't work the same way for us as it does for Japanese computer geeks.

They have blog followers who make the blogger famous, and we just have blog followers who like to think that by following, they are somehow as important as, if not greater than, the blogger himself.

Over there, you can access any type of board that handles any type of situation, and suddenly you are connected with people who share your interests or issues with a modicum of interest, and they are actually rooting for you to succeed.

Gambatte!

Over here, we have thousands of useless or broken links to still, more useless web sites that offer little in the way of interaction - and if you say Facebook, I'll scream.

Ok, so our minuscule geeky boy starts to transform himself in order to prevent our prize-winning catch from discovering the fact of his loathsome Otaku-ness.

Hilarious thing was, all he had to do was to get a haircut and he was already more than halfway there to --- normal, if you will.

There's just something about Itoh Atsushi that makes one want to squeeze him to death, pat him on the head, or pinch his cheeks.
The first time I saw him was when I watched Umizaru and he portrayed a squat geek wanting desperately to become a Sea Monkey.
He made me cry then, and he made me cry again when I watched him standing in the pouring rain with a birthday present for his girl, and she failed to show.



The story had good flow, it was beyond an interesting concept, and fake in a true kinda way or not, I sat spellbound for the duration and rooting for our unlikely hero every step of the way.

SHE turned out to be slightly as awkward and nerdish as he was, being timid and afraid of dishonesty because her parents divorced due to infidelity, and an ex-fiance ended up being a married man.




And, her BROTHER was Hayami Mokomichi !!!!

I don't know why, but aside from Tokyo Tower 2007, he has always been bathed in shadows and darkness in these dramas, and I can't figure out why.

Well, yes, there was Zettai Kareshi, but it's nearly impossible for me to capture a great shot of him onscreen because he's either moving too fast, on camera for a split-second, or in a dark, smoke-filled nightclub.

WHY??

So, if you're fortunate enough to have an entire day to yourself, and it's pouring rain outside or your boyfriend stood you up, or you just, don't feel like going anywhere - I recommend you watch Densha Otoko.



Monday, January 18, 2010

Rondo / 輪舞曲 / 윤무곡 / Yunmugok



Rondo came out back in 2006 and it stars Takanouchi Yutaka as Nishijima Sho / Kanayama Takumi though I couldn't tell you why he's got two Japanese names, or why he kept telling everyone at the beginning of this 11-episode nail-biter that he was Korean (make that Corean).

The reason for my confusion is that this Japanese product with Korean dialogue was translated to ENGLISH by someone who is Chinese.

I know it was a great story with a lot of interesting twists & turns, and even a fair amount of realism mixed in with a boat-load of 'wtf' moments - but, it's drama and I'm over that far-fetched aspect of the game already.

I can tell you from experience that if I paid for this online and opened the box with anticipatory excitement, hoping to spend a few days glued to the laptop screen, I'd have been beyond disappointed and as pissed off as I was when I bought Kodoku no Kake and discovered to my utter dismay that the Japanese language was translated to English by a Chinese.

Maybe there are a new crop of bubble-gum chewing hair twisters in charge at aznv.tv that has caused the quality of the movies and dramas at that web site to slowly turn to crap, who knows.
Rondo was a garbled mess that made it extremely difficult to follow, much less enjoy or want to continue to watch ~ but watch it I did, and I'm glad I did despite the protest.

If I caught the 'whatever' translations correctly, it's about a boy whose father is a Japanese cop, and they are in Korea for some reason when terrorists blow up a hotel, killing his father and a few, other important characters you discover about later in the story.
Thus, our hero grows up to become a cop so that he can avenge (not REvenge) his father.



The Japanese and Korean names were translated to Chinese names, which is why I had so much trouble trying to figure out who was whom and what was what.
The grammar, time, and place translations left me baffled as well, so it's really hard for me to blog effectively about this, particular drama.
Trust me, though, it was worth the watch.

The other, difficult aspect about Rondo was the darkness ~ a cinematographic effect that is misused or over abused throughout.
Take, for instance, one of our villains, Hayami Mokomichi as an example:


Personally, I think he's slammin' hot with a terrific bod as well, but this was the best shot I could get of the guy, sad to say.
Every time he entered the picture as the son of a crazed, Japanese mogul out to destroy his country's economy, he was either in a cinematic blur, at a noisy nightclub with strobe lights ready to cause an epileptic fit, snippet scenes as he leaves a building surrounded by bodyguards, or in one of those stomach-turning spin effects.
Regardless, he was never in living color ~ always blues, greens, and darkness, and never on camera when it remained perfectly still so that the viewer could take the time to study him for even a half second.

Two Korean girls enter the picture at the start, arriving in Japan in search of their father.
Older sister is an accomplished violinist who gets conned out of a lot of pay after performing at a club, so she opens a restaurant instead (because it's just, so easy to do these things in an inflated economy country like Japan).
Younger sister has a bad heart (of course) but she helps out at the restaurant between pass-out sessions that cart her lame ass off to the hospital throughout the drama.
I can just imagine what she must have been thinking to get that part -
"Great, I get to spend all my time on my back in a hospital bed with a stupid oxygen mask over my face."

And, naturally, our hero meets noona when his puppy, Justice, escapes from an animal hospital a few blocks away from the 'just happened to be available for no money' restaurant.

Justice stole the show, too!


When Takanouchi crouched down to look underneath his bed and this face was staring back at him, I about died!
Whining, touching the screen, and then wanting a Boston Terrier of my own now.

You find out a lot of interesting shit about these, two girls later in the drama, and a lot more repeat about what a young Takumi went through before, during, and after his father died back in 1982.

The suspense builds when you don't know if his elder cop superior is on Takumi's side, yanking his chain, or messin' with the devil, so to speak.
Takumi has been working undercover as an infiltrated member of the gangland corporation king who is out to destroy Japan's economy, and you never know from one minute to the next when or if he will get popped ~ it's frustrating, to say the least.

Another thing that threw me was the fact that Eiji Wentz is supposed to be in this drama, yet I couldn't figure out who he portrayed.
Is it this guy?


He's supposed to be Toda Masata, but throughout the drama, the Chinese translator referred to him as Rolling Hills or Bus Stop, or whatever the Mandarin version of his Japanese name is.

I think it might be Wentz character, but it looks more like Sato Ryuta to me. Toward the end of Rondo someone shouted his name, and I saw clearly Masata on the screen, though. It's obvious someone screwed up somewhere, so whatever.

Anyway, he was another scene stealer, imho.
His hair, his freaky personality, and his great skill as an actor ~ talk about nail biting moments.
I never knew if he was a cop, just a bum looking to make good money, a friend of Takumi, or the dreaded enemy who would stab him in the back at a crucial, episode 9 moment, when all hell typically breaks loose anyhow.

Guess who else was in this??

Shin Hyun Jun

My hawkish buddy from Cain & Abel!
Mr. Tennis himself, and again ~ was he a baddie or a good-guy undercover?
At first, he was an absolute bastard who pissed me off BIG-time when he made it seem like he would rape our noona, and then he proceeds to have her newly established restaurant destroyed by his hoodlum buddies.
BAD MAN!
You never knew one minute to the next if he would cap Takumi's ass, either.
I was disappointed, hoping he wouldn't end up being type-cast as the hood throughout his career the way that his side-kick, So, is type-cast as the downtrodden orphan with no hope for success or happiness.


The only thing for certain in this drama was that Hayami played to the hilt thug oppressed by a domineering and vain father even if you couldn't see him in action AT ALL.
Personally, the best part about this dude is his natural ability to tower over everyone else in a scene.
It's hilarious and exhilarating at the same time.

Here are more pics from the drama:

The pissy-poor subtitles ~

what the hell is a stumer?

why I have no idea who Eiji's character is







At least you can see for yourself what you have to put up with when viewing this at aznv.tv anyhow.
AND proof positive of my dislike of the dark, blurred, and spin-effect aspects of the drama as well.
The camera never stood still unless someone had a gun in their hand, ready to pull the trigger.

Ok, I did a wth retake on this a few times before I finally said to hell with it, I'm gonna post this here and see if anyone can explain it to me from a technical aspect that makes sense.

In scene one, Takumi meets his mama at the harbor, and the stand-out, red building is in the waaay background, yes?



and then, the camera closes in on him, and - yikes!
that frickin', red building is closing in on him!



now, a few minutes later, toward the end of the dialogue, what do you see behind our gorgeous hero?

not what happened 'at' that day, (grammatically incorrect), but - what the hell happened to the moving, red building behind me?


funny stuff
the UNcontinuity thing, I suppose