google.com, pub-1996401214588839, DIRECT, f08c47fec0942fa0 Asian Drama Queen: Ikuta Toma

The Queen of Asian Drama is Back with more Irreverent Reviews and Snarky Commentary.

Showing posts with label Ikuta Toma. Show all posts
Showing posts with label Ikuta Toma. Show all posts

Friday, September 02, 2016

Ouroboros 2015 J-Dorama #review


Uroborosu / ウロボロス

Drama -  Ouroboros
Writer -  Yuya Kanzaki (manga), Kazunao Furuya
Genre -  Suspense, mystery
Network -  TBS
Theme song -  Sakura by Arashi
Viewer Ratings -  10.42%
Episodes -  10
Released -  2015,  Jan - Mar



CAST



SYNOPSIS


When their favorite teacher, Yuiko, is murdered, and a policeman wearing a gold watch covers up the incident. Ikuo and Tatsuya promise to avenge their teacher. Twenty years later, Ikuo is a Shinjuku detective investigating various cases with elite detective Mizuki, and smart and handsome Tatsuya has become a top member of a Yakuza group. -- TBS


REVIEW


Just finished this one and STILL need a moment to collect myself, my thoughts, and my tears.

Wow.

Amazing story, terrific acting, and a thrilling nail-biter start to finish.

Even if it isn't original (based on Manga) this was a winner and worth every second of the ten episodes it took to tell the suspenseful tale of two orphans who fall in love with their pretty caregiver only to see her die.

Twenty years later, the two young men are ready to uncover the truth behind that murder and exact their form of revenge.

There are as many plot twists as there are breathers, and like most other Japanese mysteries, when you are pretty certain you know who it is, you soon discover you're wrong.

The two leads happen to be two of my very favorite actors.  BONUS!

 photo broms.jpeg
Oguri Shun and Ikuta Toma

But, it didn't take long at all for that and them to fade into the background as the story itself took hold and ran its course w/out distraction.

And, surprise-surprise! The subs were incredibly flawless.

Yeah, imagine that. A J-Dorama with flawless subs!

I'd given up on Japanese dramas because of the horrible, wicked, awful, inexcusably deplorable subbing of everything offered us Americans.

Then I got sick of Korean dramas and decided to seek out something from Japan that would keep my interest despite the subs -- so I made sure to do an Ikuta search and found Ouroboros.

Win-win.

Pairing the two leads is genius in my book.

The two are brilliant and both sunk so effortlessly into their roles, it was darn near impossible to remember who they really are, which I adore, so thank you Ikuta AND Oguri.

The ending was difficult to watch, and I'm still choked up about it, but I have to tell you that it is worth it (even if you end up like me, sobbing like an upset child).

There were two running tracks throughout the ten episodes, and the one I've included below is both hauntingly beautiful and part of the reason for my tears.

Love it!

And, I know you'll love Ouroboros if you haven't watched it yet.

I'll probably watch it again -- and again.






0

Thursday, January 23, 2014

Osazaki no Himawari


Late Blooming Sunflower

2012 10-episode Fuji TV drama that starred Ikuta Toma as Kodaira Jotaro, a so-called slacker because despite his having graduated college, he's a nobody because he works part-time.

I really shouldn't be blogging at such a time, or about such a topic, when I myself am now being forced to have to put up with this same issue. All I'd really like to say at this point in my life is FUCK YOU world, but then that has nothing to do with dramas in general, does it?

Anyway, Jotaro spends about 10 years of his life shuffling through the Tokyo bullshit maze trying to get ahead without success, and then he gets laid off from a part-time job so his girlfriend dumps him because she never loved him, she just wanted his money, and since he doesn't have any now then screw HIM, I guess.

Sorry! I did it again.

Jotaro sees an ad on the internet and decides to go for it - literally. It's on the other side of their country in a place that is remote as well as declining in things like prosperity, population, and I don't know ... everything but its natural beauty, I guess.


He 'volunteers' as a helper and ends up meeting the old people, shuttling them to the hospital, pulling their weeds, etc. He also meets a young doctor, Maki Yoko as Nikaido Kahori, removed from her research position and sent back to her hometown of Kochi prefecture.

He also meets a high-strung guy, Kiritani Kenta as Fujii Junichi, who works at his fathers flagging hardware store and is constantly trying to get the old shop owners to see the error of their ways so that the decline will stop and prosperity will return.

His efforts don't work, though, and no one listens or cares about what he has to say in his efforts to help revitalize the area - which happens to be his and Jotaro's volunteer jobs.

There are other characters and none of them are minor.

A nurse, Kashii Yu as Morishita Ayaka, with a cold heart, a young girl trying to steal her married professor away from his wife because she just knows she can succeed at destroying someone elses life while ending up destroying her own in the end.

And a really hot guy, Emoto Tasuku as Matsumoto Hiroki, who is a has-been in the baseball pitcher department. It was never really explained why he didn't go on to the majors if he was that great, but whatever. He was good-looking and it was nice to have him around during these ten episodes.

Seriously, though, I really enjoyed watching this story.

It was purposeful, laid-back, intense, and believable all rolled up in pristine, backwoods, relaxing atmosphere located somewhere in Japan with a pretty river and a lot more flora than concrete.


This is a story about young people at a crossroads who have to tough it out GANBATTE style in order to succeed.

Life sucks and it's hard, but if you keep plodding away, eventually you'll be rewarded.
It isn't true, of course, but another effort to stop people from giving up on the ganbatte mentality, I think.

Jotaro is the savior of these flagging youths in this waning town. He brought 'happiness' to their lives while also searching for answers to his own dilemmas.

And, of course, in the end everything wound its way down, fit perfectly into place, and smiles were to be had by all ... because of the 


ganbatte thing.

All I ever get after watching dramas like this is first a sense of warmth, belonging, and interest in these guys and then its over and MY reality is left dangling before my bleary eyes. It tells me I suck, not them, and that all you really, honestly need in this world are great friends like these to lean on, confide in, party and drink with, tell your sorrows to, and accept their sage advice if you truly hope to survive in this world.

Good for them and all those who have such folks hanging around on an as-needed basis.

The other thing I liked about this drama was the story itself, not so much about romance but about how awful it is to be alive at certain points, or how meaningless it seems until (as mentioned above) someone amazing comes along to put all that self doubt, insecurity, and dark brooding aside and force you to look at things from a better perspective.

I loved the scenic views, and I adore Ikuta Toma, too. He did another splendid job of portraying a real man under real circumstances, but who has those imaginary perfect friends to help him out.

And, they all have the ganbatte spirit to infinity.

What I didn't like was that they tried to make me believe that old folks are stupid, inept, anti-social, and dead wrong about every aspect of life and that only the young are capable of getting it right.

There were a few sideline stories, too, that wrapped up a bit too neatly and set in fancy wrapping with a cute bow on top. This upsets me in that it is never as easy as all that to fix things like adultery, death, and true loneliness.

In other words, there are no answers and no quick fix to certain life problems. It isn't likely you will ever meet or find someone who can change at the flip of a switch. It would be awesome, though, wouldn't it, if this were true?

Osozaki is a great way to pass some time, especially if you really need to escape for awhile from reality, and especially if that reality is super hard. Just be ready to have your real life come back at you full-force once you're done, though.

Funny ... great drama that ends up depressing its viewer.


Sunday, March 06, 2011

Hana Kimi / 花ざかりの君たちへ

Hanazakari no Kimi Tachi E


2007 JDorama that starred Oguri Shun as Sano Izumi, Mizushima Hiro as Nanba Minami (2nd Dorm Leader), Ikuta Toma as Nakatsu Shuichi, Kimura Ryo as Senri Nakao, Okada Masaki as Sekime Kyogo, Yamamoto Yusuke as Kayashima Taiki, Igarashi Shunji as Noe Shinji, Mizobata Junpei as Saga Kazuma, Sakimoto Hiromi as Kyobashi Arata, Chiyo Shota as Yodoyabashi Taichi, Tajima Ryo as Arashiyama Jyo, Shimegi Enoku as Tannowa Kyoichi, Okada Hikaru as Takaida Riku, Ikeda Jun as Kamishinjo Itsuki, Shibasaki Keisuke, as Minase Manato, Ishigaki Yuma as Tennoji Megumi (1st Dorm Leader), Takahashi Mitsuomi as Daikokucho Mitsuomi, Takeda Kohei as Kitahanada Kohei, Suzuki Ryohei as Akashi Soichiro, Sato Yuuichi as Tetsukayama Shota, Hayakawa Ryo as Gotenyama Sakyo, Matsushita Koji as Shojaku Ren, Nishiyama Sosuke as Shichido Soma, Hagiwara Tatsuya, as Ishikiri Hiroto, Kyo Nobuo as Himejima Masao (Oscar M. Himejima, 3rd Dorm Leader), Kato Keisuke as Yao Hikaru, Watanabe Toshihiko as Imamiya Sho, Takahashi Yuta, as Shijo Haruki, Matsuda Shoichi as Kuzuha Junnosuke, Miyata Naoki as Saiin Tsukasa, Furuhara Yasuhisa as Ogimachi Taiyo, Ojima Naoya as Kaizuka Kohei, Suzuki Kota, as Uenoshiba Kanata, Nakada Yuya as Katabiranotsuji Ken, Kawakami Yu as Korien Genji


and Horikita Maki as Ashiya Mizuki - a high school chick from America who runs away to Japan in order to help Sano Izumi (Oguri Shun) return to his former glory as a high jumper.

I know I'm super-late with this, and that everyone around the globe has already watched Hana Kimi at least five times already - but, whatever ... the storyline never appealed to me, and I had no idea it was so, freakin' FUNNY, either.

Even if this revolves around Shun's Sano-sama, and the unlikely but inevitable romantic relationship between him and Mizuki; for me, it was Ikuta Toma's Nakatsu Shuichi who stole the show.

I adored him in Majo Saiban, and now I really want to see him in the rest of what he's starred in.

Guy's got talent, an interesting presence, and staying power along with his unusual, good looks.

In Hana Kimi, he's supposed to be Sano's best friend, but at the start of this campy adaptation of yet, another manga/anime, they are struggling to maintain that relationship when, after a trip to America, Sano is injured, forcing him to have to let go of his high jump career for awhile.

Sano turns into a brooding mess of angry emotions while his Ohsaka Gaikusen buddies continue on their merry way through high school dorm life, soaking up all the revelry and mayhem it has to offer.

(now, I ask you - WHY would the chick at left want to wear a bikini bottom like that?)

Along comes Miss Ashiya Mizuki turned Mr. Ashiya when she decides to enroll in the all-boys high school so that she can undo the wrong she thinks she's done to Sano-sama since it was because of her that he was injured in America.

She wants to see him smile again, but more important to her is the goal of getting him to return to the high-jump sport so she can finally exhale.

Of course, the in-house Doc is the first person to notice something ain't right about our new student, but the bi-sexual with eerie, blue eyes decides to give Mizuki a break since she's there for noble reasons.

Mizuki ends up sharing a dorm room with Sano, and at the same time, our heterosexual Nakatsu struggles to maintain his coolness when the closer he gets to Mizuki, the more attracted to him he becomes until he believes he is gay and wants to accept that fact just to be intimate with him/her.

Japanese humor is ridiculous without being insulting or over-stressed, and I like that.

Timing is the key, I think, and they've mastered it.

Belly laughs are a good thing - especially if you're in the mood to lose some weight, and hopefully I shed a few pounds over the weekend, because Hana Kimi had me laughing out loud to the point of tears at least a dozen times an episode, and there were twelve, along with a lame-ass special always meant to clear up loose ends - but this one failed big-time.

Shun's character almost seemed out-of-place in this one, but that was the whole point.

Mizuki meant to make him smile again, and she almost succeeded, too - but, I think that occurred in the special, I don't really remember.



He returned to the playing field, and he broke his own record shortly before Kagurazaka Makoto (Shirota Yu) broke it again, but Sano never smiled much during this drama.

He made ME smile, though ...

Oguri Shun as Sano Izumi in Hana Kimi


Another character whose performance helped to make this a winner was Yamamoto Yusuke's Kayashima Taiki.

Yamamoto Yusuke as Kayashima Taiki in Hana Kimi
The guy who reminds me a lot of Mick Jagger and whose style is beyond hip can also act damn fine and knows how to do the is he/isn't he thing as if almost down to a science.

Speaking of questionable gender or preference, this drama was rife with curiosity in that regard, but I know it's just the thing to do over there - to behave as femme as possible without stepping over that imaginary line.


Which was probably why Mizuki had such an easy time slipping past the guys, who obviously don't possess gay-dar in Japan the way they (heterosexuals, anyhow) do over here.

That I kept noticing how 'female' Mizuki behaved despite herself is probably neither here nor there as well ... since the Metro-sexual attitude abounded in this drama, and I was hard-pressed to decide what was real and what was make-believe in that regard.

Sano only mentioned the fact that baking cookies wasn't a cool thing for a dude to do, but what about her overly feminine concern for his health, his welfare, his mind-set, and his personal issues with the old man?

Wasn't all that stepping over the line, too; at least from a guy's perspective?

The fact that she kept chasing after him the way a love-sick girl would do seemed like a huge indicator of her true sex as well, but I seemed to be the only one to notice or care, so what the heck.

Do guys do those kinds of things with their homies in real life?

Yeah, yeah, so Sano already knew he was a chick from the start, but the others accepted him/her without noticing anything funny, and perhaps that was a bit of a stretch, but whatever - the show was too, damn funny for me to care.

Hana Kimi was another of those make-believe, comic-come-to-life stories everyone (me included) wishes could be more like reality; especially when it concerns such mundane but necessary things as school and/or work ... to have constant excitement in your life, to be surrounded by buds who actually DO care, and to have adults around who truly want to see and hope you do succeed.

Accepting everyone for who they are and not poking fun at them because they're NOT like you seems to be a running theme with most manga turned anime turned drama from Asia, but it's an underlying theme hidden rather subtly by the stars of the show, who go through life's pangs & woes while striving for perfection, or at least a better outcome to their seemingly bleak future.

We could all do with a bit of this from time to time ...



... but, wouldn't it be totally cool if, for once, they did this for the gals and had a bunch of slobbering males standing outside an all-girl's school waiting for the precious cuties to appear?

Refreshing (for me anyway) was that Hana Kimi chose to dis the pop-chicks and make them look as stupid as they really are, and that when push came to shove (as it always does), the pop-chick who thought she was all-that didn't do anything overly unrealistic to our Mizuki when she could have but chose not to.

Why don't I like this guy?

Don't mean to sound mean, but I don't think I've ever liked him in anything he's done - which is probably opening a huge can of worms and likely to cause protest among his billions of fans.

I don't know what it is or why it is I don't care for him, I just don't.

He's probably the sweetest thing to come along since candy and the most appealing of dudes to a lot of bubble-gum chewers, too ... but, for whatever reason, I can't warm up to Mizushima Hiro.

Actually, I think I do know the reason; and it's kind a like my reason for not getting into Bae Yong jun the way the rest of the women of the world have.

Mizushima-san looks a lot like another boy from my childhood, and Luke wasn't a mean boy or unpopular; we actually got along rather well back in the day - but, I couldn't say there was even the slightest hint of sexual attraction going on inside me for him the same way I can honestly say Mizushima-kun does nothing for me in that regard, either.

Considering the fact there was only one Asian boy in my childhood, you'd think I knew a lot of them based on my comparisons with today's hot actors and the boys I grew up with here in Michigan ... which, to me, says a lot about the way of the world.

Or at least my lop-sided view of things, who knows.

Should I take a chance on the Taiwanese version, which I hear is a thousand times better than this one?

Maybe after school lets out in late April and I'm totally free to waste away a few, more days of my life without the thought of readings, study guides, term papers, and final exams looming over my head to distract me.

Okay, so here are the rest of my pictures from the show, and YES, I highly recommend you watch Hana Kimi if you haven't already.









Wednesday, October 20, 2010

魔女裁判 / Majo Saiban

The Witch Trial




April to July of 2009 JDorama that stars Ikuta Toma as Yoshioka Toru, a budding 'designer' (of t-shirts) who is selected as a 'lay-judge' in a trial that involves murder, money, and strange brew.

Toma-chan is cute!



But, his ability as an actor stunned and amazed me since I've never seen him before, so I had no idea what to expect.

Like every, other 'grass eater' from Japan, Toma-chan fits the bill to a T in his hip garb, with his unruly hairstyle, and with the vacancy behind his come-hither eyes.



I mean, who else but a young Japanese actor can pull off rhinestones on a flannel shirt and make it look way-cool, hip, now, and ... wearable???

THAT, however, is where the stereotypical aspects end, because from start to finish, this guy truly amazed me in his performance as the goof-off at first who slowly but convincingly changes to a guy out for justice.

At the beginning of the show, the writer threw in a few lines that were meant to justify the 'Witch Trial' reference of this show, which explained to the viewer that there was a time when paranoia dictated that anyone not behaving according to the norm was suspect and therefore judged unfairly as a demon to be burned at the stake.

In Majo Saiban, this 'abnormality' is a woman whose über-rich, second husband is killed (and since her first husband died, leaving her wealthy) it is presumed she murdered her second husband for his money as well.

Because the event made the headlines, everyone on the jury already knows about the 'witch' case and are quick to assume she is guilty; hoping their stints as 'lay-judge' will be over with little in the way of disruption of their daily lives.

It is Yoshioka Toru who decides that everyone should have a name, and during their first deliberation, the jurors are distinguished by the color of their clothing.

Toru-chan is Orenji, and the Polly Pure-heart of the group is White (of course).



I never understood why the guys behind the scenes pulling all the strings and blackmailing the jurors never went after Mr. Blue - the stuck-up lawyer-in-training who bad-mouthed Toru-chan from start to finish.

I also never understood why the writer chose to create TWO Ms. Pink's when there are so, many colors to choose from!

Ms. Brown was laughable through 3/4 of the show, and then we discover why she is what she is, and suddenly she is no longer a laughable figure but a sad thing in need of a huge hug.

As for Mr. Silver, I think he was thrown into the mix to keep us off-guard for a majority of the time - which pissed me off, but not by much.


Anyway, the dude behind the scenes throwing all the punches and making everyone's lives miserable (at least everyone but Mr. Blue, that is) was hhhhhooooottttt!!!!!

Suzuki Ryohei played Kurokawa Ryuichi, who learned how to manipulate outcomes in (of all places) America - BURN!

He's super-great at his job, too, and he pulled off the dyed white hair to perfection as well, looking hunk-a-licious in shades and exuding sex-appeal every step of the way.

There are so, many twists, turns, and obvious moments that suddenly do a 180 on you that it can't be conveyed in mere words - much less not give away anything, so I won't tell you much more about this drama, other than I highly recommend you give it a go if you haven't already.

I had major issues with Toru-chan's girlfriend, Motomiya Kaori (Higa Manami), who acted totally hip in Episode 1, and then slowly but surely, she went downhill until I wished SHE was on trial for stupidity and thus bound for the electric chair.

ugh

Anyway, Majo Saiban was something I hesitated to watch because of the 'Witch Trial' aspect that made me turn up my nose and think silly things like, 'Yeesh, not a modern-day goose chase thingy!' and 'What is up with the odd-looking poster for this show?'

I regret having those stupid inclinations now, and I'm really glad I finally gave in to the temptation, because I thoroughly enjoyed this drama, and I think you will, too.

PS: If you decide to watch this, don't even THINK to presume you know what's going on, why, and whodunit, because chances are pretty great you'll be wrong.

(hint-hint)