google.com, pub-1996401214588839, DIRECT, f08c47fec0942fa0 Asian Drama Queen: Japanese drama

The Queen of Asian Drama is Back with more Irreverent Reviews and Snarky Commentary.

Showing posts with label Japanese drama. Show all posts
Showing posts with label Japanese drama. Show all posts

Tuesday, March 29, 2016

Dakara Koya


だから荒野
Inspiration -  Based on a Kirino Natsuo novel
Writer -  Taeko Asano
Genre -  Human Interest
Network -  NHK
Episodes -  8
Release -  Jan - Mar, 2015



Cast




Synopsis

scorned by her husband and two sons, housewife Morimura Tomomi leaves home in disgust On her 46th birthday and embarks on a 1,200 km journey. On the road, she encounters a series of traumatizing episodes: her husband's affair,  a truck driver who mistakes her for a prostitute housewife, and having her car stolen. Then a good-looking young man with an elderly man offers her a ride, and she arrives in Nagasaki. She meets new people and learns more of the atomic bomb incident, becoming aware of a "wilderness" within her as she begins to explore the path to rebirth. ~ Jdrama Weblog (w/edits)

Review


With just eight episodes at forty-nine minutes each, I figured this would be a decent enough way to pass some time in these cold, dreary spring days here in Michigan.

I was wrong and ended up watching the entire thing in one sitting.

This was an interesting story touching on a few topics that melded in a relatively seamless eight episodes of Human Interest mixed with History.

It is about people lost and in need of finding their way, which coincides directly with the old man who experienced Nagasaki first hand at the end of World War II.

Tomomi (Suzuki Kyoka) meets her husband and eldest son at a family restaurant one night, and after a series of abusive and thoughtless remarks from both men, Tomomi says good-bye and leaves the restaurant.

It was her forty-sixth birthday, which neither man acknowledged, becoming the final straw that sets the story in motion. Tomomi gets into the car and drives away with the intention of running and never looking back.

Her youngest son is a recluse whom she continues to worry about but decides that it might do him some good if she were to walk away and force him to stand on his own two feet.

She meets another lost woman in a rest-stop parking lot shortly after receiving a cup of coffee from a trucker, whom she'll run into again later in the story.

The other woman cons her into spending a night in a 'love' hotel (because its cheap, not for sex) and steals her shoes and the car.

Tomomi ends up having to hitchhike in the Wellington's she had given the other woman, and the trucker pulls over to offer her a ride to Nagasaki.

Shortly afterwards, he propositions her with the mistaken notion that she is a prostitute, so she exits the truck and waits in the rain at a bus stop.

When no one stops to pick her up, she walks into the rain, removes the boots, stands in a dirt-road puddle, and goes from despair to renewed spirit.

She's on the right path and knows it so intends to continue moving forward no matter how rough things get along the way.

This is when the 'handsome guy' (Takahashi Issei) shows up in a mini van with an elderly gentleman in the back seat. He offers her a ride, she accepts, and ends up in Nagasaki.

Tomomi has been in touch with an old school friend (both grew up in Nagasaki) and that woman is single, an established hair stylist with her own shop, and lonely -- wishing she had Tomomi's life and envying her for the family/husband she never had.

Once Tomomi arrives in Nagasaki, we learn more about the bombing of that city through the numerous retellings offered by the old man, whom Tomomi ends up staying with and taking care of.

All of these people are lost in some way and in need of renewal or change, and that is the gist of the story.

Good One


0

Tuesday, January 26, 2016

5-ji Kara 9-ji Made


5→9 From Five to Nine


Title: 5時から9時まで
Title (romaji): 5-ji Kara 9-ji Made
Tagline: Watashi ni Koi Shita Ikemen Sugiru Obousan
Format: Renzoku
Genre: Love, Comedy
Episodes: 10
Ratings: 11.71%
Broadcast network: Fuji TV
Broadcast period: 2015, Oct to Dec



Cast


Yamashita Tomohisa as Hoshikawa Takane and Ishihara Satomi as Sakuraba Junko

Plot

Junko is a part-time English conversation school teacher whose dream is to work in New York.
She hasn't had much luck with romance, either. But things change when Junko sees a handsome Tokyo University graduate monk, Hoshikawa Takane, at a funeral service.
Junko accidentally knocks over the bowl of ashes, which land on Takane's head — probably the worst first impression anyone could make.
Junko figures she will never see him again, but the two end up in a matchmaking session set up by her mother. -- Fuji TV (with edits)


Review

Yamapi tells it like it Is

because this is what can be expected if you do . . .

Yamapi in bed

And that just about sums it up, folks!

Just kidding.

This was a delightful bit of fluff from Japan that starred Yamapi and a very pretty lady as his co-star.

Chemistry: awesome
Laughs: plenty
Drama: yes, but with levity
Intrigue: Yep, when his crafty Otōto shows up about half-way through the 10 episodes
Decent Plot: Yes, and original, too -- though based on a manga
Love Story: oh, yeah -- Junko has more than just one guy after her, which makes Tanaka's job difficult, and I like that.

This is about an attractive Buddhist priest who is performing a funeral ceremony that Junko attends, and when it is her turn to pay her respects, her legs are numb from having had to kneel for so long.

She stumbles and falls, hitting the table and knocking the urn into the air.

The ashes land on the head of the priest, and when he turns around, we see his gorgeous face and a full head of hair.

Junko is used to being clumsy and that folks tend to tease her becomes an afterthought with her.

She teaches English at a night school filled with lots of cool, hip people at or near her age, and everyone loves her, including her students.


Her dream is to move to New York and teach there, but part of that reason is because of a long-standing crush she's had on a fellow teacher who happens to live there.

Her mother has arranged omiai and Junko dutifully attends.

The candidate for marriage is none other than the Buddhist priest, Takane.

And, again, Junko fumbles and messes up on that arranged date.

Junko thinks she's ruined it for her mother and herself, but she's not really that interested in getting together with a priest even if he is super-wealthy and super-handsome.  She's still pining away for the elder sensei of her dreams.

Takane has other plans.

He's instantly smitten and begins to pursue her with the full intention of becoming Mr. and Mrs.


He enrolls in her English class and each episode shows a new and clever way for him to gain not only her trust but her heart.

Junko discovers that the guy she's been in love with all this time is married, and so she begins to lean toward Takane. But the uphill battle begins with his mother, who has no intention of allowing Takane to marry just anyone.

His mother has chosen the right girl for the job, and while Takane continues to pursue Junko, his mother continues to train this other girl to be her son's wife and the mistress of their shrine.

Then along comes the evil little brother to mess things up even more for the doomed couple.


This was funny, poignant, and interesting all rolled up into one beautifully crafted J-Do that I waited anxiously each week for another episode to be uploaded.

In fact, I was so drawn to this one that I failed to capture any screen shots!

It's available at aznv.tv and dramanice if you're interested or haven't yet watched.

Yamashita Tomohisa

I highly recommend that you do.



Monday, January 18, 2016

Hanasaki Mai Can't Be Silent





Title (romaji): Hanasaki Mai ga Damattenai
Title (english): Hanasaki Mai Can't Be Silent
Format: Renzoku
Genre: Comedy/Suspense
Network: NTV, YTV
Episodes: 10
Viewership ratings: 16.0%
Broadcast period: 2014, Apr to Jun


 

Cast

Anne as Hanasaki Mai, and Kamikawa Takaya as Soma Ken

Synopsis


--NTV-- Based on bestsellersing writer, Ikeido Jun's novel from the Hanzawa-series. Hanasaki Mai is but an ordinary employee of a bank with zero diplomacy. She doesn't think twice about pointing out her boss's mistakes. Her job is to investigate any wrongdoings in the bank branches. She is the voice of the suppressed staff who are unable to go against their bosses. Her partner is the veteran staff, Soma Ken, whose career with the bank had reached a dead end, no promotions in sight. Together, they resolve all the non-compliance issues at the bank.

My Take


Now THIS is what I'm talking about.

 Leave it to the Japanese to come up with yet another mundane topic based on a novel (I'm betting Manga) and turning it into something anyone and everyone would enjoy.

The cornball, dated background music and slapstick, pratfall antics aside . . . this was worth the watch.

Another of their dramas that has the main characters doing basically the same thing each week, only under a new premise or situation.

And, it works.

 These two are bankers, and they're pulled from their respective branches to work at headquarters in a created division that investigates issues within the bank's many branches while also bringing to light corruption, greed, and slipshod mentality from within.

Issues


I thought that Korea was awful in its Hegemonic, Patriarchal ways.

I think Japan has them beat in that regard, though.

Working women are still degraded, made to dress a certain way, talk and act a certain way, and only hire in at positions traditionally deemed a woman's role.

Things like sexism, chauvinism, and antiquated notions about power still exist over there, sad to say.

Besides that upsetting issue, there was the appalling subs.




Brit-speak that just sounds stupid, grammatical issues clean through, and spelling errors galore.

The typical lazy typing as well. Punctuation and youth don't go together very well anymore, and I think it is stupid.

... is not a . . .    

and ... is not a .    

and ~ is not a ?    

any more than a . is a ?

And yet there were a few ? tossed in at the appropriate moments, so go figure.

I don't think we needed to have to read [tel] or [knock], either.


she was super tall compared with every man she worked alongside


This was a good series that appears as if it may have a follow-up, or season 2 in the works, which is a good thing.

I'll definitely be looking out for it and then watching.

Thank you, Japan, for the refreshingly delightful bit of entertainment.


However, I do ask that you reconsider the silly background music that sounds like 1956 elevator stuff, and enough with the ridiculous and outdated humor.

0

Tuesday, May 13, 2014

Lucky Seven

ラッキーセブン

2012, 10-episode FujiTV detective drama that starred Matsumoto Jun as Tokita Shuntaro, a 'freeter' who is great with women as well as reading people.

The story unfolds with some private detectives spying on a married woman having frequent interval sex with an unsuspecting Shuntaro. The PI's pop the woman, and the next day, when Shuntaro calls her for another bit of afternoon delight, she tells him to stop calling her on account of being caught by her upset husband.

Shuntaro figures out how it happened and goes after Eita's Nitta Teru, one of the spies he bumped into in the underground parking garage of the 'love' hotel.



The two don't get along, and the first episode showed it in spades. It was an action-packed episode straight out of the gate that never slowed down much until the very end, and even then it had me wide-eyed and laughing.

Nitta is a hot-headed loud-mouth with issues who isn't inclined to smile, much less take the time to listen or get to know anyone.

After the two duke it out inside the detective agency, the boss appears to break it up, and then she propositions Shuntaro, asking if he thinks he can cut it as a detective.


This is the second time around for me, having watched it shortly after its upload at aznv.tv and then again at dramacrazy.net because apparently aznv.tv is having technical difficulties once again.


The subs were stupid. Since graduating (even before) I began to notice that one of the big issues with these subbers is their inability to comprehend or lack of education with regard to prepositions, subject/verb agreement, and tense.

A, and, the, is, was, the be's, etc.

The inability to properly word phrases, too, like butt OUT.

Then there is the problem of Asian phrases not being properly translated to English. Their strange use of ordinal versus cardinal, time, and context.

I'll leave 'first', and hang up 'now', until just now, and since just then don't compute well in English vernacular and sound ridiculous to the English-trained ear.

Regardless, this had a minor effect on my LIKE of this drama.

Each episode brings a new client into the office, and then the mismatched group of detectives do their thing right up to the very end - which starts out normal, goes wrong, and usually with Shuntaro figuring out what needs doing to set things right.

The first episode, though, was a powerhouse packed full of amazing and hilarious fight scenes between Eita's Nitta and Jun's Shuntaro.

Their first client is a disillusioned and heartbroken fire fighter who gives up on life and keeps entering illegal fight club rounds, letting whatever contestant ends up in the cage with him beat the crap out of him without defending himself or fighting back.

The tag team of detectives discovers gambling on the premises and enlists the aid of the police, but until they can get there, a diversion is needed in order to keep their client's aniki out of the ring - fearing he might, just die this time around.

Enter Shuntaro and Nitta.










Way too much fun there.

An aside or story-within-the-story is Shuntaro's little nephew, who lives with Shuntaro, his grandmother, Shuntaro's mother, and his father, Shuntaro's aniki.

The little boy is addicted to a long-running detective show on TV, and toward the end of this 10-episode drama, fantasy meets reality.

The five-rainbow rating is simple. This drama is re-watchable, not over-the-top stupid, less predictable than you'd think, and not cram-packed with ganbatte messages.

Watching guys like Matsumoto Jun and Eita bicker, learning the secrets of what makes each of the stars character's tick, and being interested in each of the stories that make their way into the detective agency also helped decide on such a high rating.

If you haven't seen this one yet, get going. You won't be disappointed.


Friday, May 09, 2014

Zeni Geba

Money Crazy, 銭ゲバ

2009, nine-episode NTV JDorama that starred Matsuyama Kenichi as Gamagori Futaro, a child of the system who grows up to avenge in a sociopath's style.

If you haven't seen this yet, or if you chose not to watch it because of the synopsis, you've made a big mistake.

Yes, it's dark and even hideous in nature, but well worth the nine episodes it took to tell the tale. And, the synopsis wasn't written well or accurate, either.

First off, I love Kenichi-kun and am working my way through everything he's starred in, and this is actually the third time I've watched Zeni Geba, too.

It's a psychological thriller of sorts but at a slower pace than the typical dramas of this nature. We are walked through Futaro's mixed-up life start to finish, made to see every aspect of that twisted existence, and then shown the decisions he made one after the other all in the name of money.


Gamagori Futaro arrived into a normal life, but it wasn't long before that life took a major turn for the worst. His father became a shiftless nuisance and his mother ended up with a terminal illness. He lived impoverished up until her death, and then he was forced to have to survive on his own from age ten onward.

Yes, at the start he believed money was the answer to all his woes, and yes, his father was to blame for a majority of what ended up being instilled inside his twisted mind. Still, the writer (Original manga by George Akiyama) seemed not to choose sides or even let us pick one over the other - in a sense, brilliant and yet not.

However, the last episode turned out to be something unexpected, and yet it also switched gears - giving us another side of the equation to think about - and in a way that made me start to believe the writer DID have a side to take.

As manga writing goes, they seem to take a 'now' topic and expound on it, twist and turn it into something fantasy, or delve deeper into a specific aspect of that issue. This time, though, the writer chose to take all sides before suddenly forming an opinion at the very end.

This particular topic being Money and how it influences people.

Before I continue, let me suggest you not let the weird camera angles have any effect on your judgment about this drama ...


It doesn't occur often, but a bit more toward the end than usual, yet it has its purpose. You'll find that out later on, but then again, it isn't difficult to figure out why the director chose to add these distortions into the show.

A twisted mind has a twisted view of the world. A warped sense of perspective, and therefore things like this become necessary.

The problem I had with the synopsis was that it made the story sound too simple and point-blank when it isn't. This isn't about Futaro's desire to obtain money through devious means. His victims were chosen with purpose, and by now his distorted view of money has changed drastically as well.

Those who seemed to think they knew it all, could survive despite their circumstances, or who tried to make themselves appear better than the rest were the ones who were targeted ... and for that reason alone.

This is more about the damage done to a child's vulnerable and impressionable mind at an early age, the heavy weight of responsibility a parent has toward their offspring, and about society's lack of compassion or true understanding of the absolute value of human life.

Can or should we take Futaro's side based on everything we know about him and his past? Is it the responsibility of those who have to reach out and help those who have not? Is it wrong for me to want to root for Futaro because of what I already know about him?

I did, actually, right up to the very end. It didn't bother me much to see the things he did as an adult, and I understood his reason for doing them, too.

Does this make me a sociopath, too?

Throughout this drama, Futaro was told a few phrases to live by - like money can't buy happiness, etc. - and the more he heard, the more that he experienced, the less inclined he was to believe anything or anyone. This is logical, especially to one who has hit the bottom and been forced to scratch and claw his way back to daylight at the least; the height of power at the most.

We're led to believe that money is the root of all evil and that those silly sayings are created by people who are on the brink of insanity and need them in order not to succumb.

Ganbatte.

The have's and the have-not's merge in this drama, and the ganbatte phrases meant to help lift up a weary soul are uttered from time to time, but the bottom line in all this is that it is bullshit. You either have it or you don't. You're either pretty or not, rich or not, successful or not, and capable or not.

Black and white with no grey area to consider.

Futaro's eventual goal became to prove the have-not's are as wrong and useless as the have's. And, yes, he targeted the wealthy Mikuni clan on purpose, but I had to wonder if it was more about what occurred between him and Midori as children than it did about obtaining all that wealth only to toss it all away at the end.

As for that ending ... well ... it was a roller-coaster ride for me, and as it slowly came to a close, I was disappointed. It became another cliche about evil needing punishment regardless of the extenuating circumstances.

All Futaro really needed was help. Help that wasn't available, and this is the real problem with society, not money. Why are little ones made to wander around Japan without adult help?

Thanks to Reagan-omics, the U.S. is suffering due to lack of proper mental care and social programs in this country. We're experiencing the effects of that stupidity with mass-murder events occurring at least once or twice a year, too.

We're all responsible for one another, and it's got zero to do with money, wealth, or power. Although until everyone gets on board, the brunt of that responsibility falls on their shoulders. It's their fault, though, for creating such a situation in the first place.
0

Thursday, May 08, 2014

Nodame Cantabile



2006, 11-episode Fuji-TV JDo that starred Ueno Juri as Noda Megumi aka Nodame (Piano) and Tamaki Hiroshi as Chiaki Shinichi (Piano/Conducting).

This is based on Manga of the same premise and characters, and the two leads did terrific jobs portraying the stressed-out, uppity conductor wonna-be Chiaki, and the flaky, unrealistic kindergarten teaching hopeful, Noda.

Tamaki Hiroshi as Chiaki Shinichi

This is the fourth time I've watched the drama and the movie that followed shortly after it ended. Not a waste of time at all, either.

The reason I gave it 4 instead of 5 is because while I enjoy reading Manga and don't mind too much that it becomes live-action, it still bugs me that there aren't more novels that become that way instead.

The second reason is because of the pretentiousness with which the entire story was presented. Classical music isn't and shouldn't be portrayed as something high-brow, upper class, and worth giving up your entire life to perfect, much less pursue. It's for everyone to enjoy as well as to play and participate in.

Someone always has to be god-like as well, and I've said all I can about the way that line of thinking makes me feel.


Until now, I mistook him for Ikuta Toma. They have similar facial features but not the same voice, I think. Still, they're both hot and worth spending hours staring at and admiring. Hiroshi-kun was amazing in this drama!


Nodame Cantabile is about Chiaki-kun's journey to self-discovery in the form of learning how to grow, let go of past notions about life and career, to get along well with others, and then accept the things that come to pass without fighting against it via self-will.


He's a child prodigy who grew up in the lap of luxury and never got rid of an initial desire to conduct orchestras rather than play in one like his estranged father, a concert pianist.

He attends a music academy in Japan but wants desperately to return to Europe and study with his old master. Unfortunately, after his parents divorced when he was young, he returned to Japan with his mother and experienced a bad plane landing which resulted in his fear of flying.

Stuck on land in Japan, he stomps his way through this academy, complaining about everything he hears being played by the other students. Naturally, the chicks dig him for his looks and size, but he isn't very receptive to their advances or even the fact that the guys there would like it if he were their friend.

He keeps attempting to get into the conducting division at the academy, even knowing it's pointless since he'll never be able to reach Europe without overcoming his fear of flying. Each time he applies, though, the request is turned down.


At the apartment, he meets his neighbor, Noda Megumi. She's the complete opposite of him, and when she drags him inside her apartment, he realizes what a slob she is. Later, on his balcony, he notices a nasty smell and then watches in horror as neon purple liquid begins oozing onto his side of the wall.

Upset, he marches into Nodame's apartment and insists that she clean the place. Chiaki-kun ends up doing all the work, though.

Then he is forced to have to play a piano duet with her in a classroom setting. He's reluctant at first, but he's already heard her play before and is overly curious about her lack of control yet ability to captivate.


He's crass and rude to Noda, always shouting at her to get her act together and do the right thing while she ignores it all and continues to smile, goof off, and do everything the way she sees fit.

Everything about Nodame annoys Chiaki, and yet he's still drawn to her. Because of his desire to conduct, it's natural for him to want to help draw out the natural talent he sees in her.

She's not there to become famous or travel the world as a member of an orchestra, though. Noda has aspirations of becoming a kindergarten teacher.

I didn't get that. I had no idea why she'd spend good money at this academy if that was her goal. Do music academy's teach education classes for kindergarten students?


Regardless, for the eleven episodes, we watch how these two opposites end up in a budding relationship, spend time together, and how their personalities end up having some type of effect one over the other here and there.

At the same time, though, their personalities are such that regardless of how the two end up being sucked into the other's world, they both always return to who they are naturally.

The kotatsu episode was a case in point and hilarious as well.

The more that Nodame ends up falling for Chiaki-kun, the harder she attempts to mold herself into his ideal, and sometimes it works, sometimes not.


Every time she upset Chiaki, he'd toss her aside like a rag doll, and every time this occurred, or when he said or did something to upset her, she'd let out this word.

Funny, cute, silly stuff completely in line with the Manga.


I had issues with the subs, too. At the beginning of each episode, it stated that this was beta and would be cleaned up later. Um ... not sure how that is possible, and this is 2014 now. I've yet to find another streaming website that uses cleaned up subs.

This can't be what she said, and regardless, it makes no sense.

Another of my favorite Japanese actors starred in this one:

Eita as Mine Ryutaro (Violin)

He started out as an electric violin player intent on restructuring classical music by adding a Rock & Roll flavor that would be a definite hit with kids his age and younger.

Early on, he ends up befriending Chiaki, and not long afterward the whole gang shows up at his father's tiny restaurant to meet, eat, and drink, chat, commiserate, and plan their next move.

Loved the rainbow hair clips.


His character was a little on the spaz side, but he didn't shout a whole lot or annoy. His passion was what ended up helping Chiaki-kun realize his dream of becoming a conductor. Mine made it to a second-string orchestra, and the conductor bailed, so he and Nodame enlisted Chiaki for the job.

Mine played the cheerleader, the go-to guy, and the referee in times of conflict. He fell in love as well, and he continued to cheer on the girl after she ended up leaving for Europe and further studies.

Then there was the guy with the interesting mustache. He also sported an afro, but it didn't stick out as much as the 'stache.

Koide Keisuke as Okuyama Masumi played timpani and had a huge crush on Chiaki-kun. Every time that Nodame entered the picture, his jealousy showed to the point of mild violence.

Masumi was always there whenever another girl (or guy) tried to wile their way into Chiaki's private time, and Chiaki-kun eventually learned to appreciate him while ignoring his one-sided affection.

He liked to wear 1970's apparel to include bright colors, paisley, bell-bottoms, vests, and white lifts.

Another aspect of Nodame Cantabile that I always enjoy is the music - of course.

Here's where the pretentiousness comes in, though.

It's great to learn new things, and I like finding out stuff I didn't know before, too, but still. The way it's presented is annoying and in-your-face, making me not appreciate the effort.

Again, the subs kept making the mistake of referring to a concert as a concerto.

Concert: [kon-surt] a public musical performance in which a number of singers or instrumentalists, or both, participate.

Concerto: [kuhn-cher-toh] a composition for one or more principal instruments, with orchestral accompaniment, now usually in symphonic form.

However, I'll give them a bit of credit since there were times when the actors themselves said concert-o, which might be habit rather than misconception. They can't end any word with a consonant, but the two words are pronounced much different, so the subber's should have known better.

Anyway, I liked watching this drama a lot and I loved hearing the music, too.

It's my understanding, too, that the Korean version will finally become reality this fall. Sources report Joo Won as being the Chiaki-kun, too.

Wait and see for me. It's still too early to get excited until all the pieces are put in place.